But due to his mysterious and murderous past, he is recruited by an underground school that trains its students in the deadly arts of assassination. Teenager Marcus Lopez is a homeless drifter with nothing to live for out on the streets of 1980s San Francisco. Remender (Black Science) attempts commentary on the Reagan era, but ends up absorbing the decade's cynicism with a callousness that offers solace neither to his characters nor to his readers. Craig's appealing artwork is decompressed and crisp, and aided by Lee Loughridge's European-style color palette. At first, the book to explores the society and intrigue of the school, but this is abandoned for more gratuitous thrills, soon moving to the depressing murder of a homeless man for a homework assignment, then sidetracking into a pointless drug-fueled murder trip to Las Vegas. The cops are chasing him for a mysterious crime, but he's rescued at the last minute by a one-man-army-of-a-teen-girl cliche who recruits him to a secret high school that trains assassins. The year is 1987, and young Marcus Lopez Arguello is homeless and suicidal following the death of his parents. Built on the comic book trope of a secret school for gifted youngsters a la X-Men, and mixing in John Hughes' high school clique cliches, Remender's self-described "memoir of sorts wrapped in the guise of a crime thriller" ends up not being much of either.
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